03.07.2017 - 03.07.2017

UKRAINE: EUROMAIDAN AND TODAY

Screening

In 2013 the mass protests for an EU oriented Ukraine, known as Euromaidan, started, because then-president Viktor Yanukovych stopped the preparations for the association agreement with EU. In 2014 he was ousted by the protestors, after on-going demonstrations, but then Russian military interventions started a war in Ukraine.
Návštěva is a Prague based artists’ network on the actual political situation in Europe. Juliana Höschlova has curated for Návštěva a screening on Ukraine. This film program is also presented in Graz, as Juliana Höschlova is resident artist in Graz in the St.A.i.R. project.
The films are giving an insight on the actual situation in Ukraine, which is also the topic of the discussion with the filmmaker und journalist Ksenyia Marchenko and Alois Kölbl.

Screening
films by Piotr Armianovski, Kseniya Marchenko, Kateryna Gornostai
Curated by Juliana Höschlova, Návštěva network, Prague
www.navsteva.network

Talk
Artist, filmmaker and journalist Kseniya Marchenko, and Alois Kölbl, director of Katholische Hochschulgemeinde

 

Volodia - hero of revolution by Piotr Armianovski, 13:00 min, 2015
Who Owns Crimea? Festival of Annexation by Kseniya Marchenko, 19:38 min, 2015
Maidan is everywhere by Kateryna Gornostai, 37:20 min, 2015

 

Návštěva is a Prague based independent project aiming to present contemporary art in relation to contemporary society. It presents works, artists, strategies and practices that actively inhabit existing space. Critical thinking and strategies revitalize artists' influence and responsibility to their living environment, shared with others of the society

 


Piotr Armianovski (Donetsk, 1985) is a Ukrainian performer and director. Started artistic activity in Donetsk theatre "Zhuki". Later performed and studied in Kyiv, Lviv, Moscow including “School of Performance” by Janusz Baldyga (Lviv, 2010), “Artist is present” by Marina Abramovic (Moscow, 2011). Also Piotr actively participated in politic actions during #OccupyAbay in Moscow, Maidan in Kyiv and Donetsk. For some period he has cooperated with Voina Art Group.
Piotr has performed on performance art festivals in Warsaw, Berlin, Paris, Wien and Kyiv. His videos were screened in Environment film festival (USA, 2016), Kilometers of Sculpture (Estonia, 2015), Documenting Ukraine / Open City Documentary Festival (UK, 2015), Inconvenient films festival (Lithuania, 2014) and others. He is interested in the topic of emergency, in margins of being. In discomfort and deviations from the "norms" there is a chance for new experience, for new connections and for revealing reality as it is right here right now. Since the mass deaths at Kyiv Maidan and the beginning of the war in Eastern Ukraine he has been researching on the edges of humaneness in conflict situation. What makes us humans? What defines our dreams?
Volodia- hero of revolution: Volodia is a teenager from Donetsk. He dreams to become a popstar like American Justine Bibber and Russian Roma Zhelud. In spring 2014 pro-russian protests started in Donetsk. Volodia came there and knew that US want to save its nuclear waste in Donetsk coal mines and EU wants to take out Ukrainian soil. So young man decided to struggle for his Fatherland.
On the east: Kramatorsk may not be the nicest place for life. A town of factories and broken infrastructures but its denizens find much to love there, reflecting on their home with frankness and warmth.
 
Kseniya Marchenko was born in Cherkassy (1989). Got MA in journalism at National University “Kyiv-Mohyla Academy” (2012). For three years was working as a correspondent for the most rated national TV news department of “Cannel 1+1”. Now is an editor and author of documentary projects for independent digital media Hromadske.tv. Contributed for independent documentary project “Realnost” (Russia). She is author of the documentary photoproject for BirdinFlight about post-war life of a young soldier who has lost his leg at frontline in the east of Ukraine when he was 19. She showed her first short documentary about Kyiv Metro on the several national film festivals. Her film “Who Owns Crimea? Festival of Annexation” is a part of exposition “Sentsow`s Camera” about Ukrainian Crimean director who is political prisoner of Russion court for 20 years. Exposition was presented at Museum of Modern Art in Leipzig, Germany (2016).
Kseniya is interested in the social-political transformation of the country, which started after events of EuroMaidan revolution. Ritual of presenting public opinion on marches during EuroMaidan now at the postmaidan and warperiod is deconstructed for the interests of far right wings and opposition of nowadays government of the country. Kseniya tries to fix how the public opinion is influenced by street activities, what messages are presented, how participants behave themselves and how conflicts are constructed.
“Who Owns Crimea? Festival of Annexation” trilogy is a story of public celebration in the territory under sanctions against Russia. Film presents so called backstage of the celebration and how reality was used for political manipulation and propaganda news for Russian mass media during the second year of celebration of proclaiming Crimea its territory. Three parts of film presents anty Ukrainian ideas which are pronouncing publicly from the stage and works to increase conflict and hating between parts of the country.
 
Kateryna Gornostai was born 1989 in Lutsk in Ukraine. Studied biology, and later journalism at the Kyiv Mohyla Academy. Then she graduated from the School of the Documentary Film and Theater at Marina Razbezhkina and Mikhail Ugarov in Moscow. She was working as an editor in web-documentary project „Reality” (2013/ www.realnost.com) and as a curator of projects at the „My Street Films” contest of the „86” festival of film and urbanism in 2015 and 2016. Currently, she has been teaching and second teacher at the master-degree course "Documentary and Factual TV" at “Kyiv-Mohyla School of Journalism”, National University of "Kyiv-Mohyla Academy".
Her collaborative film “Euromaidan. Rough Cut” was introduced in Czech Republic within the festival One World in 2015. Now she is engaged in educational documentary programs, works on creative documentary and fiction projects.
Maidan is everywhere: This film tells the story by Kateryna Gornostai about the year 2014. For her, it began when Maidan had started and maybe didn't end yet. The whole year was in the atmosphere of revolution, then war. Whatever you did - you saw this things on the background, you always feel them, although you live not even on a border of war, but deep in in the rear. Kateryna wants to remember this year, as she wants to keep the memory of all the people who surrounded her. The year of Maidan, the year marked by war and peace. Film received the Andriy Matrosov Award in Docudays UA in 2015

SCREENING

Montag, 03. Juli 2017
19.00 Uhr

ORT:
Katholische Hochschulgemeinde Graz
Leechgasse 24
8010 Graz


A cooperation of Návštěva, Akademie Graz, Centre of Southeast European Studies / Karl-Franzens-Universität Graz, Department of Culture, Europe and Foreign Relations / Regional Government of Styria, Katholische Hochschulgemeinde Graz.

 

unterstützt von:
Nachlese
fragments 16
FILMFESTIVAL DER MENSCHENRECHTE GRAZ 21. - 25.04.2016

PROLOG
FILMS FOR HUMAN RIGHTS
Wir leben in einer Zeit der nationalen und politischen Umbrüche: rechts- radikale, rassistische, antisemitische Tendenzen werden wieder stärker; die sexuelle Selbstbestimmung und Gleichstellung von Mann und Frau sind vielerorts nach wie vor fremde Materien, Religionsfreiheit ist noch immer nicht überall Realität, ebenso wie die Presse- und Meinungsfreiheit. All das sind Fragen der Menschenrechte, deren sich ständig mutige Fil- memacherInnen annehmen. Durch ihre Filme zeigen sie auf, wo politi- sche Instanzen versagen, wo gesellschaftliche Veränderungen dringend notwendig sind, wo Menschenrechte nicht eingehalten oder gebrochen werden, aber auch wo Menschenrechte durch das Engagement einzelner oder von Organisationen durchgesetzt werden konnten.
fragments will im Jubiläumsjahr von Graz als Stadt der Menschenrechte der Arbeit dieser FilmemacherInnen eine Plattform geben. Neben Filmen zu allgemeinen Themen der Menschenrechte wird der Fokus des Pro- gramms auf dem bestimmenden Thema der vergangenen Monate liegen: Flucht & Krise. Die Programmschiene „Fokus: Flucht“ umfasst Filme zu unterschiedlichen Aspekten von Flucht, darunter etwa den diesjährigen Sieger lm der Berlinale „Fuocoammare“ oder die Filme des syrischen Fil- memachers Issa Touma, der 2015 Artist in Residence in Graz war. Abseits der derzeitigen europäischen Situation wirft die Österreich-Premiere von „Storm in the Andes“ einen Blick nach Lateinamerika; „Song of my Mother“ thematisiert den türkisch-kurdischen Kon ikt, „Flotel Europa“ beleuchtet die Folgen des Balkan-Kriegs. Aber auch Filme im historischen Kontext zum Thema sind dabei. Etwa die Dokumentation „Carl Lutz – der vergessene Held“ über einen Schweizer Diplomaten, der tausenden von Juden aus dem von den Nazis besetzten Ungarn zur Flucht verhalf. Oder der Klassiker „Casablanca“. Außerdem werden österreichische Erfolgs-  lme zum Thema gezeigt: „Lampedusa im Winter“ von Jakob Brossmann und „Mama Illegal“ von Ed Moschitz.
Unter dem Titel „Spektrum“ sind Filme zu allgemeinen Themen der Men- schenrechte zu sehen, etwa der letztjährige Sundance Sieger lm „3 1⁄2 Minutes, 10 Bullets“, der Cannes-Wettbewerbs lm „Maidan“ oder der iranische Dokumentar lm „No Lands Song“. Dem afrikanischen Regisseur Abdherramane Sissako ist eine Personale gewidmet. In Zusammenarbeit mit ETC und UNI-ETC Graz und zahlreichen weiteren Unterstützern ent- stand ein Rahmenprogramm, welches das Filmprogramm ergänzt.
Über die Filmscreenings hinaus sollen weitere Perspektiven des Erlebens und Verstehens eröffnet werden – frei nach dem Motto:


FACING HUMAN RIGHTS.

(MEDIALE) REPRÄSENTATION VON MIGRATION / FLUCHT / ASYL
SYMPOSIUM

09:00 Uhr                  Eröffnung und Grußworte
                                  Peter Riedler
                                  Vizerektor für Finanzen, Ressourcen und Standortentwicklung
                                  Katharina Scherke
                                  Sprecherin des Forschungsschwerpunktes Heterogenität
                                  und Kohäsion der Universität Graz


                                  Moderation:
                                  Brigitte Kukovetz
 

09:10 – 09:50 Uhr     Werner Suppanz
                                  Hart an der Grenze – Politische Wir-Diskurse in
                                 Österreich im Zeichen der „Flüchtlingskrise“


09:50 – 10:30 Uhr     Matthias Revers
                                 
Flucht, Öffentliches Räsonnement und Engagement:
                                 Der Fall Zogaj und danach


                                  Kaffeepause


                                  Moderation:
                                  Lisa Heschl  

11:00 – 11:40 Uhr     Constanze Spieß
                                  Von „Zäunen“, „einem Türl mit Seitenteilen“ und der
                                 „Festung Europas“.
                                  Lexikalische, metaphorische und argumentative

                                 Strategien im Diskurs um Migration


11:40 – 12:20 Uhr     Fritz Hausjell
                                  Flucht und Asyl als Herausforderungen für
                                 Journalismus und Medien


12:20 – 13:00 Uhr     Heinz Wittenbrink
                                  Zwischen Datenjournalismus und Aktivismus –
                                 Contentstrategien von Netzmedien in der
                                 Flüchtlingskrise  
      

 


 

Milan Mijalkovic spricht *ÜBERDEMOKRATIE*
Vortragsgespräch

Das Projekt bezieht sich auf den Begriff Diaspora im breiteren Kontext von Globalisierung, Mobilität und kulturellem Nomadismus. Es werden diverse Erfahrungen in temporärer oder dauerhafte Bleibe, die aber nicht dem Ursprungsort gleicht, dargestellt und die Rolle der kulturellen Unterschiede hier wie dort sowie die Probleme der Integration in die neuen Umstände thematisiert. "From Diaspora to Diversities" wird unterstützt von Balkans Arts and Culture Fund (BAC).

Federführend: Kunsthistorikerin Mirjana Peitler-Selakov. Die Ausstellung ist Teil des Projektes "From Diaspora to Diversities", das in Kooperation von "Remont – unabhängigre Kunstverein" (Beograd), World Culture Center "Esperanza" (Skopje) und Kunst Ost (Graz) realisiert wird.

 


 

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