Gespräch von Kunsthistorikerin und Kuratorin Tamar Tembeck, McGill University, Montreal, Canada und Künstlerin Eva Egermann über Kunst in den Critical Disability Studies
Bios:
Tamar Tembeck is an art historian and media studies scholar. Her current research engages with visual cultures of illness and medicine, hospital art practices, as well as performance and media studies. She also maintains a practice as a performer and exhibition curator. Tamar is currently leading a research project on contemporary art practices in health care spaces, funded by the Social Sciences and Humanities Research Council of Canada (SSHRC). You can read her new bilingual Hospital Art research blog here. Since 2012, Tamar holds an academic appointment within Media@McGill, an interdisciplinary hub of research on media, technology and culture at McGill ZUniversity. Since 2018, she is also an adjunct professor with UQAM’s Chaire de recherche pour le développement de pratiques innovantes en art, culture et mieux-être.
Publications: D. Barney, G. Coleman, C. Ross, J. Sterne, T. Tembeck, eds. The Participatory Condition in the Digital Age. University of Minnesota Press, 2016. Tamar Tembeck, ed. Auto/Pathographies. Alma: Sagamie édition d’art, 2014. C. Ross, T. Tembeck & T. Tsentas, eds. Conflict[ed] Reporting. Special issue of Photography & Culture, vol. 8, issue 2 (July 2015).
www.tembeck.org
Eva Egermann ist Künstlerin und lebt in Wien. Sie lehrte an Kunsthochschulen in Wien, Linz, Luzern und Zürich und arbeitet in unterschiedlichsten Medien und Kollaborationen (wie z.B. der Manoa Free University). Zahlreiche Publikationen, z.B. „Regime. Wie Dominanz organisiert und Ausdruck formalisiert wird“ oder „Class Works“ und kuratorische Projekte, z.B. „2 or 3 Things we’ve learned. Intersections of Art, Pedagogy and Protest“ oder „On Uncanny States and Bodies“). Im Rahmen ihres PhD in Practice Projekts „Crip Modes of Artistic Research“ sind künstlerische Projekte, Performances, Ausstellungen sowie das Crip Magazine entstanden.